ELECTRIC SHEEP AMAZON SERIES
ELECTRIC SHEEP AMAZON TV

Cranston, who, like the others, is a major Philip K. Dinner, who had a deal with Sony, also recruited Mr. “Michael really had the idea to do it as anthology,” said Mr. Dinner, executive producer of FX’s “Justified,” and invited him to look at the short stories. And “Electric Dreams” attracted writers and directors like Dee Rees (“Mudbound”), Peter Horton (“American Odyssey,” “Thirtysomething”) and Alan Taylor (“Game of Thrones”).ĭick’s daughter, Isa Dick Hackett, whose production company Electric Shepherd oversees adaptations of her father’s work, reached out in 2012 to Mr.

ELECTRIC SHEEP AMAZON SERIES

The actors attracted to the series included Bryan Cranston of “Breaking Bad” (also one of the show’s executive producers), Steve Buscemi, Maura Tierney and the avant-R&B singer Janelle Monáe. “It was like, ‘Oh, I can come in for five days and get it done?’ That’s a very appealing prospect.” “We had so many actors who were interested because of that,” Mr. And major stars are much more willing to sign on for a single season, or in the case of “Electric Dreams,” a single episode.

ELECTRIC SHEEP AMAZON TV

For one, shows can be written in satisfying movie-like arcs, rather than the open-ended storytelling that traditional TV requires.

There are some clear advantages to the anthology format. “We’d say, well ‘Twilight Zone’ did this, let’s do something else.” Both owe a major debt to an earlier wave of anthology programming, particularly turn-of-the-’60s series like “Playhouse 90,” “Alfred Hitchcock Presents,” and, especially, “The Twilight Zone.” “In some ways we had to talk to about ‘Twilight Zone’ in order to not copy it,” Mr. Dick’s Electric Dreams” is directly challenging any show, though, it’s Netflix’s technology-run-amok series “Black Mirror,” which is now in its fourth season. Moore, who is best known for creating the acclaimed 2004 “Battlestar Galactica” reboot. “Everyone is trying to do original things to stand out, so you’re not boxed into a format anymore,” said one of the executive producers, Ronald D. And it differs from shows like HBO’s “Room 104,” where the stories and cast change every episode but all are driven by the distinct auteur sensibility of the Duplass Brothers (the show’s creators), which lends a tonal seamlessness from week to week.īy contrast, the “Electric Dreams” creative teams, which include veterans of “The Night Manager,” “Stranger Things” and the Harry Potter universe, were given free rein by the showrunner, Michael Dinner, to veer wildly from episode to episode, from satirical to earnest to deeply, psychedelically strange. The approach is unlike that of “American Horror Story” or FX’s other major anthology success, Noah Hawley’s “Fargo,” where stories unwind over an entire season.

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